Views: 222 Author: Rebecca Publish Time: 2025-04-21 Origin: Site
Content Menu
● The Rise of Ovangkol in Guitar Making
● Physical and Working Properties
>> Workability
● Tonal Characteristics of Ovangkol
>> Comparison with Other Tonewoods
● Ovangkol in Guitar Construction
● Advantages and Disadvantages of Ovangkol
>> Advantages
● FAQ
>> 1. What makes ovangkol different from rosewood in guitars?
>> 2. Is ovangkol a good choice for beginners?
>> 3. How should I maintain an ovangkol guitar?
>> 4. Are ovangkol guitars suitable for professional use?
>> 5. Is ovangkol environmentally friendly?
Ovangkol, a lesser-known but increasingly popular tonewood, has become a staple in the world of acoustic guitar construction. Revered for its unique tonal properties and sustainability, ovangkol offers guitarists a compelling alternative to traditional woods like rosewood and mahogany. But what exactly is ovangkol wood, and why has it found favor among luthiers and musicians alike? This comprehensive guide explores the origins, characteristics, tonal qualities, advantages, disadvantages, and the role of ovangkol in modern guitar making.
Ovangkol is the commercial name for the wood derived from the *Guibourtia ehie* tree, which is native to tropical West and Central Africa, including countries such as Cameroon, Ghana, Ivory Coast, and Nigeria[2][6]. The wood is also known by other names like amazique, amazoué, hyedua, mozambique, and shedua, but in the context of musical instruments, "ovangkol" is the term most commonly used[2][6].
Structurally, ovangkol is a heavy and dense hardwood. It is widely used not only in guitars but also in furniture, flooring, and joinery due to its strength and attractive appearance[2]. Its grain can be straight or slightly interlocked, often displaying beautiful, dramatic figuring that gives finished instruments a visually striking look[5][6].
The use of ovangkol in guitar making gained momentum in the late 1990s, particularly as guitar manufacturers sought alternatives to traditional tonewoods like rosewood, whose supply was becoming increasingly restricted due to sustainability concerns[1][2]. Taylor Guitars was among the first major brands to introduce ovangkol on a large scale, incorporating it into their 400 Series as a substitute for Indian rosewood[1]. Since then, other esteemed manufacturers such as Martin and Breedlove have followed suit, further cementing ovangkol's reputation as a viable and desirable tonewood[2][5].
One of the key factors behind ovangkol's growing popularity is its sustainability. Unlike rosewood, ovangkol is not listed under the CITES agreement, which restricts the trade of endangered species[2]. Many manufacturers, including Breedlove, have embraced ovangkol as part of their commitment to using ethically harvested, sustainable materials[2][5]. This makes ovangkol an environmentally responsible choice for both builders and players.
Ovangkol is moderately durable, with a Janka hardness rating of approximately 1,330 lbs[2]. While it is not as hard as rosewood, it is significantly tougher than mahogany, making it resistant to dents and wear[2]. Its stability also makes it suitable for use in guitar necks and, occasionally, fretboards, although its primary application is in the back and sides of acoustic guitars[2][6].
Luthiers appreciate ovangkol for its ease of work. It responds well to both hand and machine tools, and it finishes beautifully, often revealing rich, multi-hued grain patterns that can range from golden brown to dark chocolate, sometimes with olive or grey streaks[5][6]. The wood's attractive appearance, combined with its tonal properties, makes it a favorite for both traditional and modern guitar designs[5][6].
Ovangkol is often described as a "full-spectrum" tonewood, offering a well-rounded sound that appeals to a wide range of playing styles[1][2][5]. Its tonal palette is frequently compared to rosewood, though with some distinct differences:
- Lows: Ovangkol delivers a strong, punchy low end reminiscent of Indian rosewood or African blackwood[5].
- Mids: The midrange is more pronounced than in rosewood, providing clarity and presence similar to mahogany[5][4].
- Highs: The treble response is bright and clear, sometimes likened to maple, but with a bit more warmth and less sharpness[1][2][6].
This unique combination results in a tone that is both warm and articulate, making ovangkol a versatile choice for fingerstyle, strumming, and flatpicking alike[1][2][4].
| Tonewood | Bass Response | Midrange | Treble | Sustain | General Tone |
|---|---|---|---|---|---|
| Ovangkol | Strong | Pronounced | Bright | Good | Well-rounded, clear, warm |
| Rosewood | Deep | Scooped | Sparkling | Excellent | Rich, complex, lush |
| Mahogany | Focused | Woody | Soft | Moderate | Warm, punchy, dry |
| Maple | Tight | Clear | Very bright | Moderate | Crisp, transparent, less warmth |
Ovangkol sits somewhere between rosewood and mahogany, offering the best of both worlds: the bass and shimmer of rosewood, the clarity and midrange of mahogany, and the brightness of maple[4][5][6].
Many players describe ovangkol as a "jack of all trades" wood—great at everything, but not necessarily excelling in one area[4]. This makes it particularly appealing to guitarists who play a variety of styles and need a versatile instrument. Some users note that ovangkol guitars can sound slightly brighter and less warm than rosewood, while others appreciate the increased midrange presence and clarity[3][4].
Ovangkol is most commonly used for the back and sides of acoustic guitars, where its tonal properties can shine[1][2][5]. Some manufacturers have also experimented with ovangkol tops, though this is less common due to the wood's density and hardness, which can result in a quieter instrument[4].
Due to its weight, ovangkol is rarely used for solid electric guitar bodies. However, it can occasionally be found in necks or as a decorative veneer[2].
While not as widespread as rosewood or ebony, ovangkol is sometimes used for fretboards and necks, offering a unique look and feel[2]. Its stability and moderate hardness make it suitable for these applications, though it remains a niche choice.
- Versatile Tone: Ovangkol offers a balanced sound suitable for various musical genres and playing styles[1][2][5].
- Sustainability: It is more readily available and less regulated than traditional tonewoods, making it an eco-friendly option[2][5].
- Attractive Appearance: The wood's dramatic grain and color variations make for visually stunning instruments[5][6].
- Durability: Moderately hard and resistant to wear, ovangkol guitars are built to last[2].
- Affordability: Ovangkol is generally less expensive than rosewood, making high-quality guitars more accessible[2][6].
- Weight: Ovangkol is relatively heavy, which can affect the comfort of the instrument, especially in larger body sizes[2].
- Brightness: Some players may find its treble response a bit too bright compared to the warmth of rosewood[2][3].
- Less Tradition: Ovangkol lacks the long heritage and prestige associated with classic tonewoods like rosewood and mahogany, which may influence resale value and collector interest[3].
Caring for ovangkol guitars is similar to maintaining any high-quality acoustic instrument. Regular cleaning with appropriate guitar polish and storing the instrument in a case when not in use are recommended[2]. For ovangkol fretboards, a damp cloth can remove dirt, followed by a light application of mineral or lemon oil to maintain moisture and enhance the wood's natural color[2].
Ovangkol is increasingly featured in mid-range and high-end guitars from major manufacturers such as Taylor, Martin, Breedlove, Tanglewood, and Fender[1][2][5]. While it is still less common than rosewood or mahogany, its use is expanding as more players and builders recognize its benefits[2].
In terms of cost, ovangkol is generally cheaper than rosewood but may command a premium in certain models due to its relative novelty and the quality of workmanship associated with its use[2][3].
Some well-known guitar models that feature ovangkol include:
- Taylor 400 Series (back and sides)[1]
- Martin D-16E Burst and OMC-16E Burst (back, sides, and sometimes tops)[5]
- Breedlove Organic Pro Collection (fretboards and bodies)[2]
These models showcase the versatility and beauty of ovangkol, appealing to a wide range of players from beginners to professionals.
Ovangkol has rightfully earned its place among the world's premier guitar tonewoods. With its balanced tonal spectrum, sustainable sourcing, and striking appearance, it offers a compelling alternative to more traditional woods like rosewood and mahogany. Whether you are a seasoned guitarist seeking a new sound or an environmentally conscious musician, ovangkol provides a unique blend of aesthetics, performance, and responsibility.
As the guitar industry continues to evolve, ovangkol's role is likely to expand, bringing its distinctive voice to an ever-wider audience. For those open to exploring new sonic landscapes, ovangkol guitars are well worth considering.
Ovangkol is a relative of rosewood and shares many tonal similarities, such as strong lows and warmth. However, ovangkol has a more pronounced midrange and slightly brighter highs, making it sound more balanced and versatile. It is also more sustainable and typically less expensive than rosewood[1][2][3].
Yes, ovangkol is an excellent choice for beginners due to its well-rounded tone, durability, and affordability. Its versatility suits a wide range of musical styles, allowing new players to explore different genres without being limited by the instrument's tonal character[1][2].
Maintain your ovangkol guitar as you would any acoustic instrument: clean it regularly with a suitable guitar polish, store it in a case when not in use, and use a damp cloth and a small amount of mineral or lemon oil for fretboards to prevent drying and enhance the wood's appearance[2].
Absolutely. Many professional musicians use ovangkol guitars for recording and live performance due to their balanced tone and projection. Major brands like Taylor and Martin offer high-end ovangkol models that meet the demands of professional players[1][5].
Yes, ovangkol is considered an environmentally friendly tonewood. It is not listed as endangered and is often sourced from sustainably managed forests, making it a responsible choice for eco-conscious musicians and builders[2][5].
[1] https://www.taylorguitars.com/guitars/acoustic/features/woods/body-woods/ovangkol
[2] https://findmyguitar.com/blog/materials/ovangkol/
[3] https://www.acousticguitarforum.com/forums/showthread.php?t=221020
[4] https://www.acousticguitarforum.com/forums/showthread.php?t=595434
[5] https://www.maurysmusic.com/maury_s_blog/view/197462/ovangkol_aka__the_cinderella_of_tonewoods__
[6] https://maderasbarber.com/tonewood/en/917-ovangkol
[7] https://www.wood-database.com/ovangkol/
[8] https://www.acousticguitarforum.com/forums/showthread.php?t=627160
[9] https://maderasbarber.com/tonewood/en/772-ovangkol
[10] https://www.guitarkind.com/ovangkol-guitars/
[11] https://www.reddit.com/r/AcousticGuitar/comments/udha0q/this_is_what_ovangkol_sounds_like/
[12] https://umgf.com/ovangkol-t3091.html
[13] https://www.harmonycentral.com/forums/topic/1140423-ovangkol-what-do-you-think-of-that-wood/
[14] https://www.youtube.com/watch?v=Gt189JFWx4Q
[15] https://www.acousticguitarforum.com/forums/showthread.php?t=345689
[16] https://www.guitargathering.com/community/index.php?%2Ftopic%2F6680-fingerboard-and-bridge-material-laurel-vs-rosewood-vs-ovangkol%2F
[17] https://www.sweetwater.com/store/detail/414ceGES2--taylor-414ce-ovangkol-back-and-sides/reviews
[18] https://www.stewmac.com/tonewoods/shop-tonewood-by-instrument/acoustic-guitar-wood/ovangkol-back--side-set---114
[19] https://exoticwoodzone.com/products/ovangkol-classical-guitar-back-side-set-42
[20] https://exoticwoodzone.com/products/ovangkol-classical-guitar-back-side-set-46
