Views: 222 Author: Rebecca Publish Time: 2025-04-21 Origin: Site
Content Menu
● Introduction to the Taylor 410 Series
● The Transition to Ovangkol Wood
● Detailed Specifications of the 1999 Taylor 410
● Sound Profile and Performance
>> Comparison with Other Woods
● Market Value and Pricing Trends
>> 1999 Taylor 410 Ovangkol Wood Price Overview
● Pros and Cons of the 1999 Taylor 410 Ovangkol
● Comparison: Ovangkol vs. Rosewood and Mahogany
● Who Should Buy the 1999 Taylor 410?
● FAQ
>> 1. What makes the 1999 Taylor 410 with ovangkol wood different from earlier models?
>> 2. How does the 1999 Taylor 410 ovangkol wood price compare to other Taylor models?
>> 3. Is the 1999 Taylor 410 suitable for live performance and recording?
>> 4. What should I look for when buying a used 1999 Taylor 410?
>> 5. Does ovangkol require special maintenance compared to other tonewoods?
The Taylor 410 series has long been a staple in the world of acoustic guitars, renowned for its craftsmanship, tonal versatility, and enduring value. The 1999 Taylor 410, in particular, stands out for its use of ovangkol wood—a material that has sparked much discussion among players and collectors alike. This comprehensive review will explore every angle of the 1999 Taylor 410 ovangkol wood price, construction, sound, playability, and long-term value, helping you determine whether this instrument is truly worth your investment.
The Taylor 410 series was first introduced in 1991 and quickly gained a reputation for delivering high-quality sound and build at a mid-range price point. Designed as a dreadnought, the 410 offers a full-bodied sound ideal for a variety of playing styles, from flatpicking to strumming[3]. Over the years, Taylor has refined the 410, experimenting with different tonewoods to enhance its tonal palette and visual appeal.
Originally, the Taylor 410 was constructed with mahogany back and sides, paired with a Sitka spruce top. However, around the late 1990s, Taylor began incorporating ovangkol as the primary wood for the back and sides in the 400 series[5]. This shift was significant, as ovangkol brought a new dimension to the guitar's sound and aesthetics.
- Ovangkol, a West African hardwood, is often compared to Indian rosewood for its tonal properties, offering a broad frequency range with pronounced midrange warmth[2][3].
- Its unique grain and coloration add visual interest, ranging from yellow-brown to olive or dark brown, sometimes with striking striping[2].
- Ovangkol's tonal character is described as warmer than sapele or mahogany, with a balance of clarity and richness that appeals to a wide range of players[2][3].
Understanding the build quality and features of the 1999 Taylor 410 is crucial when evaluating its value.
| Feature | Details |
|---|---|
| Body Shape | Dreadnought |
| Top Wood | Solid Sitka Spruce |
| Back & Sides | Solid Ovangkol |
| Neck | Mahogany |
| Fingerboard | Ebony |
| Scale Length | 25.5 inches |
| Nut Width | 1-3/4 inches |
| Electronics | Taylor Prefix system (original electronics) |
| Binding | White fiber |
| Finish | Original finish (satin back/sides, gloss top) |
| Case | Original hardshell |
| Weight | Approx. 5 lbs 6 oz |
| Notable Features | Moderate wear, yellowed finish, some scratches/dents, truss rod cover missing1 |
The 1999 Taylor 410 also benefits from Taylor's innovative NT neck, introduced around this time, which offers improved neck stability and easier adjustment[5].
The most distinguishing feature of the 1999 Taylor 410 is its ovangkol back and sides. Ovangkol is renowned for producing a tone that sits comfortably between rosewood and mahogany:
- Warmth: Ovangkol imparts a warm, rounded sound, especially in the midrange, making it ideal for both fingerstyle and strumming[2][3].
- Clarity: The Sitka spruce top ensures a crisp attack and articulate highs, preventing the tone from becoming muddy[3].
- Projection: The dreadnought body shape, combined with these woods, results in strong projection and volume, suitable for both live and studio settings[3].
- Versatility: The tonal balance allows the 1999 Taylor 410 to excel in genres ranging from folk and country to bluegrass and pop[2][6].
- Rosewood: Offers slightly more pronounced highs and lows, but ovangkol provides a distinctive midrange presence[5].
- Mahogany: Tends to be more focused and dry, whereas ovangkol is richer and more harmonically complex[2][5].
Taylor guitars are celebrated for their playability, and the 1999 410 is no exception.
- Neck Profile: The C-shaped mahogany neck with an ebony fingerboard provides a comfortable grip and smooth playability across all frets[1].
- Action: The guitar is known for its optimal action, making it suitable for both beginners and experienced players[1].
- Weight and Balance: At approximately 5 lbs 6 oz, the 410 is well-balanced and not overly heavy, allowing for extended playing sessions without fatigue[1].
Taylor's reputation for quality control is evident in the 1999 410:
- Solid Construction: All-solid woods ensure long-term durability and tonal improvement as the guitar ages[1][3].
- Finish: The original finish is designed for maximum durability and resistance to environmental changes[3].
- Neck Stability: The NT neck system allows for easy adjustments, reducing the likelihood of costly neck resets[5].
- Cosmetic Wear: Many 1999 Taylor 410s show moderate wear, including yellowed finishes and minor scratches or dents[1].
- Repairs: Some may have had minor repairs, such as crack repairs near the fingerboard tongue[1]. These should be inspected to ensure structural integrity.
- Original Retail Price: When new, the Taylor 410 series retailed for around $2,400, though discounts could often be found online[2].
- Current Used Market: As of recent years, used 1999 Taylor 410 guitars with ovangkol wood typically range from $1,200 to $1,800, depending on condition, originality, and included accessories[1].
- Factors Affecting Price:
- Condition: Guitars with minimal wear, original parts, and no major repairs command higher prices.
- Case: Inclusion of the original hardshell case adds value.
- Market Demand: The unique tonal qualities of ovangkol and the reputation of late-90s Taylor models help maintain strong resale values.
- The 1999 Taylor 410 ovangkol wood price remains relatively stable due to the model's reputation and the sought-after combination of woods.
- While not considered a “vintage” collectible, the 1999 model is increasingly appreciated by players and collectors seeking a high-quality, versatile dreadnought.
| Pros | Cons |
|---|---|
| Warm, balanced tone with rich midrange | Moderate cosmetic wear is common on used examples |
| High-quality construction and materials | Some models may have minor repairs (e.g., crack repairs) |
| Excellent playability and comfortable neck profile | Slightly higher price than 310 series (due to ovangkol) |
| Strong projection and versatility across genres | Not as collectible as pre-1998 rosewood/mahogany models |
| Stable market value and good long-term investment | Finish may yellow over time |
| Feature | Ovangkol (410, post-1998) | Rosewood (800 series/410R) | Mahogany (pre-1998 410) |
|---|---|---|---|
| Tone | Warm, balanced, pronounced midrange | Strong highs/lows, scooped mids | Focused, dry, woody |
| Appearance | Brown/reddish, striped, unique grain | Darker, tight grain | Lighter, uniform grain |
| Price | Mid-range, higher than 310 series | Higher, premium | Similar to ovangkol pre-1998 |
| Availability | Common in 400 series post-1998 | Available as 410R, 800 series | Only in older 410s |
| Collectibility | Increasing, but not vintage | High, especially older models | Growing, especially pre-1998 |
The 1999 Taylor 410 with ovangkol wood is an excellent choice for:
- Intermediate to Advanced Players: Those seeking a reliable, versatile acoustic with rich tonal complexity.
- Performers: Its projection and tonal balance make it suitable for live settings.
- Recording Artists: The clarity and warmth translate well in studio environments.
- Collectors: Those interested in late-90s Taylor craftsmanship and unique wood combinations.
- Value Seekers: Players wanting a high-quality American-made guitar without the premium price of rosewood models.
The 1999 Taylor 410 with ovangkol wood remains a compelling option for guitarists who value tonal warmth, playability, and enduring build quality. Its unique blend of ovangkol and Sitka spruce delivers a sound that is both familiar and distinct, bridging the gap between rosewood's complexity and mahogany's focus. While the 1999 Taylor 410 ovangkol wood price may be higher than some alternatives, the investment is justified by its performance, reliability, and stable market value. Whether you are a seasoned player, a collector, or someone looking for a versatile workhorse, the 1999 Taylor 410 is well worth considering.
The primary difference is the use of ovangkol for the back and sides, replacing the mahogany found in earlier 410 models. Ovangkol offers a warmer, richer midrange and a unique visual appeal, setting it apart from its predecessors[2][5].
The 1999 Taylor 410 ovangkol wood price is generally higher than the 310 series due to the more expensive wood and construction, but it is more affordable than the rosewood 800 series or custom shop models[2][5].
Yes, the 1999 Taylor 410 is highly regarded for its projection, tonal clarity, and balance, making it suitable for both live performance and studio recording[2][3].
Check for common issues such as cosmetic wear, repaired cracks, fret wear, and ensure the original electronics and case are included. A professional setup can enhance playability if needed[1].
Ovangkol is relatively stable and does not require special care beyond standard guitar maintenance. Keeping humidity levels consistent and regular cleaning will help preserve its appearance and tone[3].
[1] https://www.chicagomusicexchange.com/products/taylor-410ce-natural-1999-1588099
[2] https://guitarsquid.com/taylor-410-review/
[3] https://www.zzounds.com/item--TAY410
[4] https://www.unofficialtaylorguitarforum.com/index.php?topic=2571.0
[5] https://www.themusiczoo.com/blogs/news/taylor-400-series-acoustic-guitars
[6] https://www.acousticguitarforum.com/forums/showthread.php?t=194805
[7] https://reverb.com/en-nl/item/83040582-taylor-410-1999
[8] https://reverb.com/en-br/p/taylor-410-with-ovangkol-body-1998-2013
[9] https://www.sweetwater.com/store/detail/410G--taylor-410-dreadnought-natural
[10] https://www.acousticguitarforum.com/forums/showthread.php?p=7521948
[11] https://reverb.com/au/p/taylor-410-with-ovangkol-body-1998-2013
[12] https://www.themusiczoo.com/products/1999-taylor-410-dreadnought-natural-eddie-ojeda-collection
[13] https://www.musiciansfriend.com/guitars/taylor-410-ce-dreadnought-cutaway-acoustic-electric-guitar-2011-model
[14] https://en.audiofanzine.com/dreadnought-steel-string-guitar/taylor/410/user_reviews/
[15] https://www.youtube.com/watch?v=S0ORlB3Fi8c
